This book focus on Athenian art in the second half of the fifth century, one of the most important periods of ancient art. Including papers on architecture, sculpture, and vase painting the volume offers new and before unpublished material as well as new interpretations of famous monuments like the sculptures of the Parthenon. The contributions go back to an international conference at the American School of Classical Studies, Athens.

The aim of this book is to identify and assess the distinctive styles of five important ancient Greek sculptors. By using the most recent archaeological evidence and reevaluating both the ancient literary sources and earlier scholarly literature, the international group of authors whose essays appear here expands our understanding of the role of personal styles in ancient art.

The Handbook of Greek Sculpture aims to provide a detailed examination of current research and directions in the field. Bringing together an international cast of contributors from Greece, Italy, France, Great Britain, Germany, and the United States, the volume incorporates new areas of research, such as the sculptures of Messene and Macedonia, sculpture in Roman Greece, and the contribution of Greek sculptors in Rome, as well as important aspects of Greek sculpture like techniques and patronage. The written sources (literary and epigraphical) are explored in dedicated chapters, as are function and iconography and the reception of Greek sculpture in modern Europe. Inspired by recent exhibitions on Lysippos and Praxiteles, the book also revisits the style and the personal contributions of the great masters.

This volume of 15 papers is a tribute to Petros Themelis for his significant contribution to Greek archaeology and especially to the excavation, study and conservation to the ancient site of Messene in the Peloponnese. An international cast of scholars has contributed essays on a wide range of subjects (Greek sculpture, epigraphy and architecture), which reflect the interests of the honorand. New, previously unpublished material from Messenia, Athens and elsewhere is here presented for the first time. The geographical and chronological range of the contributions to this book extends from the Geometric period to the Roman Empire and from Macedonia to Crete and Magna Graecia.

For a century following the end of the Lamian War in 322 B.C., Athens' harbour at Pireus was almost constantly occupied by a Macedonian garrison. The Macedonian presence dealt a crucial blow to Athenian independence and Athenian democracy, initiating the first in a long and intermittent series of foreign occupations. The twenty-eight papers in this volume are based on an international conference hosted by the University of Athens in May 2001, and focus on various aspects of Athenian art, archaeology and history in the century of Macedonian domination. They consider Athens' new role as a political stepping stone for potential Successors to the throne of Macedon - Cassander, Demetrios Poliorketes and Antigonos Gonatas were each able to secure Macedonia by using Athens as a power base - and the ways in which Athenian culture was affected by the Macedonian presence. They contribute to the ongoing debate about the reasons for the Macedonian ascendancy, the degree of independence accorded Athens by their Macedonian overlords, the third-century archon list, and changes in Athenian art and architecture.

This book examines the effects of the Peloponnesian War on the arts of Athens and the historical and artistic contexts in which this art was produced. During this period, battle scenes dominated much of the monumental art, while large numbers of memorials to the war dead were erected. The temple of Athena Nike, built to celebrate Athenian victories in the first part of the war, carries a rich sculptural program illustrating military victories. For the first time, the arts in Athens expressed an interest in the afterlife, with many sculptured dedications to Demeter and Kore, who promised initiates special privileges in the underworld. Not surprisingly, there were also dedications to healer gods. After the Sicilian disaster, a retrospective tendency can be noted in both art and politics, which provided reassurance in a time of crisis. Bringing together essays by an international team of art historians and historians, this is the first book to focus on the new themes and new kinds of art introduced in Athens as a result of the thirty-year war.

This volume of sixteen papers is dedicated to James R. McCredie in celebration of his outstanding contribution to the excavation and study of the sanctuary of the Great Gods on the Greek island of Samothrace. The papers focus mainly on the art and archaeology of Samothrace, while two contributions discuss Alexandria in Egypt and Florina in Macedonia, two areas that were closely connected with Samothrace in antiquity. The volume covers the latest research on the architecture, sculpture, pottery, epigraphy and cult of the sanctuary of the Great Gods on Samothrace, and contains many original architectural drawings and photos of previously unpublished material.

This volume presents the proceedings of the second Athenian Potters and Painters conference, which was held at the American School of Classical Studies, Athens 2007. Together with the 1994 conference (Volume I, Oxbow 1997), these are the first of their kind - focusing purely on Athenian pottery and addressing key aspects of its study. The thirty-two papers contained here are the result not only of a large amount of new material but also the dynamic appearance of a younger generation of scholars dealing with the subject. Subject areas range from the study of the potters and painters themselves, to shape, subject matter, chronology, export, excavation pottery, context, and the influence of Athenian vases on pottery from other regions of the Mediterranean and vice versa. Three papers in Greek.

Essays describing recent research and new discoveries of Hellenistic sculpture, based on papers presented at an international conference at the American School of Classical Studies at Athens in 1996.

The papers in this volume were presented at an international conference organised in Athens (May 11-14, 2004) and focus on the study of the Panathenaic Games, a Panhellenic athletic event that lasted for nearly a millennium. An international assembly of archaeologists, art historians, ancient historians, epigraphists and classical scholars contributed to the discussion of the origins and the historical development of the Panathenaic Games in general and of individual contests in particular. The role of royal and other patrons in the Hellenistic and Roman periods, as well as the form and meaning of victory dedications and other monuments generated by the games were also examined, making this a truly interdisciplinary study into this fascinating event. Two papers are in Greek.

This book examines the effects of the Peloponnesian War on the arts of Athens and the historical and artistic contexts in which this art was produced. During this period, battle scenes dominated much of the monumental art, while large numbers of memorials to the war dead were erected. The temple of Athena Nike, built to celebrate Athenian victories in the first part of the war, carries a rich sculptural program illustrating military victories. For the first time, the arts in Athens expressed an interest in the afterlife, with many sculptured dedications to Demeter and Kore, who promised initiates special privileges in the underworld. After the Sicilian disaster, a retrospective tendency can be noted in both art and politics, which provided reassurance in a time of crisis. This is the first book to focus on the new themes and new kinds of art introduced in Athens as a result of the thirty-year war.